There are those, indeed, who would like to deny the relationship altogether." (Robert Hume, “Gothic Versus Romantic,” p.282)īoth the Gothic and the Romantic were transatlantic (or even global) movements, although so far we've focused on the British variety (as does most of the scholarship on both!). There is a persistent suspicion that Gothicism is a poor and probably illegitimate relation of Romanticism, and a consequent tendency to treat it that way. "That Gothicism is closely related to Romanticism is perfectly clear, but it is easier to state the fact than to prove it tidily and convincingly. Now what about the Gothic Versus Romanticism? "Romanticism" refers to a particular movement in literature, NOT to those early tomes of the 15- and 1600s Romanticism comes later, although it looks back to the Romance. So many of the Gothic Novels we're reading (particularly Otranto) could be seen as Romances, dealing as they do with improbable characters with strange quests. Knights on a quest for a magic sword and aided by characters like fairies and trolls would be examples of things found in romance fiction." (). Another definition explains "An extended fictional prose narrative about improbable events involving characters that are quite different from ordinary people. The connotations were of wild adventures rather than romantic longing as in the modern meaning of romance" (). "Romance" refers (in the context we're using for discussion here) to "lengthy French or Spanish stories written in the 1500s and 1600s involving episodic encounters with supernatural or exciting events. First, we need to distinguish between the Romance and Romanticism (both with capital "R" and both different from " romance" of your Valentine's Day weekend and " romantic" as in what your significant other did).
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